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Masterclass-Producing Killer Vocals

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Description

If you've been looking to the absolutely BEST training on the planet for Producing, Arranging and Recording Killer Vocals...you've found it! Over 4 hours of Premium Training on 2 DVD discs.

While there are many production tools that give you "plug and play" radio-quality sounds to your mixes, getting Killer Vocals is one of the last elements of your mix that can't be cured by just using the "right microphone" or latest plugin.  David Wills takes you step by step through the industry best practices that are used in all major studios.  Look through all the subjects covered from caring for and warming up your voice, to arrangement, editing and mixing to get the kinds of vocals that you deserve but have not been able to get.

Don't buy another microphone or preamp thinking that will fix your problems...get the training you need to get the vocal sounds of your dreams.

INTRODUCTION

YOUR VOCALS
Physiology of your Voice
Proper Breathing Technique
Chest vs Belly Breathing
Falsetto
Warming Up Exercises
Hydration
Yawning
Core Warmup
Neck and Shoulders Warmup
Mouth and Tongue Warmup
Lip Trills
Tongue Trills
Breathing Warmup
1-3-5 Sirens
1-3-5-Octave Sirens
The Big Three Enemies

VOCAL PARTS
Benefits of Vocal Arrangements
Types of Vocal Parts
Harmony 101
Using a Keyboard for Chord Shapes
Becoming a Student of Harmony

TRACKING VOCALS
Microphone Recommendations
Phantom Power
Addressing your Microphone
Mounting your Microphone
Proximity Effect
Handling Plosives
Using Pop Filters
Setting Levels
Preparing for Tracking Vocals
Auditioning our Backing Tracks
Tracking your Lead Vocal
Punching In
Comping Vocals
Editing Comps
Doubling Vocals
Performance Tricks
Doubling Example
Double Levels
Harmony Example 1 - "Echo parts"
Importance of Preset Tracks
Basic mix of 3 part Harmonies
Plate Reverb on Harmonies
Cleaning up Edit Points
Harmony Example 2 - "Call and Response"
Harmony Example 3 - "Pad or Wash"
Confidence in Falsettos Parts
"Flying" Vocals
Harmony Example 4 - "Call and Response 2"
"Flying" Vocals example 2
Bridge Vocals

EDITING VOCALS
Editing Lead vs. Backing Vocals
Cleaning up Timeline
Color Coding Tracks
Time Correcting Doubled Vocals
Correcting Hard Consonants
Correcting Time Slices
Pitch Correction Overview
Correction Speed
Formant Control
Time Correcting Bridge Harmonies
Sliding Releases
Pitch Editing our Lead Vocal
Chopping Parts
0Working with Drift
Working with Transition Time
Working with Glissando Parts

MIXING VOCALS
Backing Tracks Mix
Rhythm Section Mix
Lead Vocal vs Double balance
Lead Vocal vs Harmonies balance
Compress before EQ
Compressing the Lead Vocal
Creating a Crush Channel
Creating a Backing Vocal Crush Buss
Cleaning up Backing Vocals with Noise Gates
EQ Overview "Corrective vs Creative"
EQing our Lead Vocal
Using a HPF
Adding "Air" to Lead Vocal
Removing "Boxiness" from Lead Vocal
Adding "Intelligibility" to Lead Vocal
Creating EQ Presets
Adding Time Based Effects
Early Reflections vs Tail
Delays with Feedback
Adding a "Radio Effect" Echo
Completing the Final Mix
Automation

GRADUATION

BONUS INTERVIEW
Andrew Scheps - Grammy Award winning Mix Engineer with Adele.

 

Reviews

  1. 5/5


    Once again, David delivers essential theory that provides easy-to-understand information on the root concepts and combines it with hands-on examples that build the knowledge and confidence to make better music. I have looked at countless YouTube videos and other instruction through the years, but David’s delivery and explanations are unique, enjoyable, confidence building and spoon every time. You can do this!

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